Online Keyboard Course in berlin

 

Keyboard structure

The keyboard instrument is very similar in appearance to the piano and organ instruments. In general, keyboards are in the group of thumb instruments. The keys of this instrument are placed in a certain order that can produce a wide range of sounds. In terms of the number of keys, this instrument is divided into three groups of 61, 76, and 88 keys. In another classification, they are also divided into light, medium and heavy types. The keyboard instrument is an electric instrument and there are clear differences in how it produces sound from the organ and piano instrument, which we will explain below. This instrument has an internal memory that allows you to record sound or play various songs with flash memory. This instrument has the ability to connect to a computer, speakers, microphone, etc. Also, screen light, rhythm speed, rhythm editing, sound making, step adjustment, sound recording, and many other features are available in this instrument, which is due to its electricity.

Music in Berlin

Since the 18th century, Berlin has been an influential music center in Germany and Europe. First as an important commercial city in the Union of the Hanseatic League, then as the electoral capital of Brandenburg and the Kingdom of Prussia, then as one of the largest cities in Germany, it developed an influential musical culture that persists to this day. Berlin can be seen as a platform for the growth of a powerful choir movement that played an important role in the widespread socialization of music in Germany during the nineteenth century. Berlin has three main opera houses: The Deutsche Welle, the Berlin State Opera, and the Komichi Opera. Many important music figures were born or worked in Berlin. Composers such as Johann Joachim Quantz, Carl Philipp Emanuel Bach, The Gran Brothers, Wilhelm Friedmann Bach, Karl Friedrich Christian Fash, Johann Friedrich Reichart, Karl Friedrich Zelter, etc. all belong to this city. In addition, Berlin is known as the center of music theory and criticism in the eighteenth century with prominent figures such as Friedrich Wilhelm Marporg, Johann Philipp Kronberger, Quantz, and CPA Bach, whose treatises are known throughout Europe.